Category: Written Responses

I decided to share my project in a couple of different ways. I first shared the project with my Instagram following, which largely consists of other artists, illustrators and graphic designers. I also chose to share the project in my workplace, at the London Centre for Book Arts, as I was interested in what my…

I engaged in dialogues with practitioners that relate to my field of enquiry in different ways. Jazmin Morris, creative computing artist, and Freya Olsson, weaver and textile artist. My conversation with Morris was contextualised by her knowledge of coding and computerised automation, whereas my conversation with Olsson was rooted in her practice of weaving, and…

This piece of text was originally in a RTF (Rich Text Format).

The written response for this brief consists of two parts:  A 150–200-word statement that articulates how your group’s explorations helped you to reflect on, deepen, or shape your own position as a practitioner in context of Disability Justice and accessibility (being as specific as possible). Much like the looser, flexible models of time this brief asked…

Draft One Discuss how the project that you’re copying raises these questions and write a proposal for a studio-based experiment that would allow you to explore them further. (Word count: approx. 200) Textiles and weaving have the power to touch us emotionally — just as we touch them physically. There is a powerful, personal, relationship…